Lesson about love.
Howl’s Moving Castle shows us a sensible view on Love. It’s rarely levelheaded and it doesn’t bode well more often than not. In the vast majority of our fantasies about adoration, we envision the two players being awesome and sweet. We anticipate that the two should wind up together in light of the fact that they merit one another and the world plans to make it so. In any case, in Howl’s Moving Castle, this isn’t the situation.
As we can see in the movie, the two heroes have their shortcomings. Sophie is submissive and acknowledges things as they seem to be. At the point when she is transformed into an elderly person, she just leaves without revealing to her family. She doesn’t battle for anything. Howl, on the other hand, is vain, rash, and silly. He accepts that the entire world rotates around him. He doesn’t battle for anything either – and not on the grounds that he is unfit (the entire film demonstrates him to be a gifted performer) but since he is languid and narcissistic.
As the two become more acquainted with one another, you can perceive how they somewhat change. Sophie turns out to be more decisive and Howl all the more sympathetic. Be that as it may, let me make this totally understood: they despite everything keep up their characters. Love doesn’t change their center characters it permits them to adjust to one another.